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- CINEMA, Page 62In the Mood
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- MO' BETTER BLUES
- Directed and Written by Spike Lee
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- Moral controversy is often the filmmaker's friend. If you
- can get people spinning their wheels about whether your
- characters did good or bad when confronting a hot contemporary
- issue, you can usually distract them from your deficiencies as
- a craftsman.
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- It worked for Spike Lee last year with Do the Right Thing.
- The discussion then was all about whether or not the film
- endorsed a violent response to racism, not about the quality
- of the work. His new movie, Mo' Better Blues, is stirring a
- less commercially useful controversy, having been denounced by
- the Anti-Defamation League of B'nai B'rith for its portrayal
- of a pair of scuzzy jazz-club owners as anti-Semitic
- stereotypes.
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- Come to think of it, they are. But, come to think of it,
- almost everyone else in a Spike Lee movie is a stereotype too.
- That's what crude, careless sensibilities like Lee's deal in.
- He means to be affable here and pay some sort of tribute to the
- world of his father Bill, a jazzman who wrote the film's score.
- But despite firsthand knowledge, his story of how the career
- of trumpeter Bleek Gilliam (Denzel Washington) is undone by
- pride, womanizing and unwise affection for a shiftless manager
- (played by Lee) is conventionally romantic, and so is his
- realization of its 'round-midnight atmosphere.
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- Lee sometimes writes good, quirky little exchanges, but
- precisely because his characters are so simplified, dramatic
- incident does not grow organically. So the film's movement is
- fitful and arbitrary -- all mood swings and unpersuasive
- melodrama. It makes you restless waiting for something to
- happen and restive trying to explain its emotional and
- narrative logic when it finally arrives. Lee needs to think
- things through. If he did, the A.D.L. would have nothing to say
- to him. And he might be a filmmaker worth conjuring with instead
- of an annual media sensation.
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- By Richard Schickel.
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